Meet Max

A young man with blond hair and a beard sitting at a wooden table with his hands clasped, in a room with bookshelves, a neon sign reading 'MAX', and a window in the background.

I’ve seen what breaks post. And how to fix it.

I’ve worked with high-stakes producers and fast-moving campaigns. I land the cut because I understand the story, the pressure, and what’s truly at stake.

I’m your secret weapon.

  • 10+ years in high-stakes post-production

  • Helped raise over $50 million with emotionally resonant edits

  • Emmy winner for Societal Concerns, Long Form

Dina Rudick - Anthem Multimedia

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  • “Max is — gosh, where do I start — my secret weapon, honestly. I’ve been working with him for years and he’s about the best creative collaborator in post-production I could hope for. He brings something sparkly and amazing, and he does it astonishingly quickly. No ego. Just results. I plan my projects around including him.”

Clear edits. Calm process. Creative that lands.

  • for producers who don’t have time to babysit

    Getting the cut right means hitting the right beats, supporting your message, and giving your client something they feel good approving.

  • Forget 60% drafts that suck

    Before I touch the timeline, I ask the right questions—what matters, what needs to land, what’s riding on this cut. That’s how I shape something you can share. Not a draft. A client-ready cut. One or two rounds, tops.

  • Editing that earns its keep

    Every project’s different. Some snap into place, others take a little digging. But the goal is always the same: land the message, keep things moving, and avoid chaos. You’re paying for impact, fast turnaround, and peace of mind. That’s the work.

  • You get the glory

    You show the cut. It hits. Everyone’s happy, and nobody’s asking where it came from. That’s how it should be. I stay behind the scenes. You get the credit. Maybe just add me to the Emmy award when you apply for it.

Joshua Whiteman, Christian & Missionary Alliance

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  • “I was hesitant to outsource something this big, but Max made it painless. He got it right from the jump, understood our goals, and elevated the work. Fast, collaborative, and emotionally spot-on. That’s why I’m planning to build out more contracts with him.”

What I Specialize In

  • Fundraising & Donor Appeal Films

  • Nonprofit & Social Impact Storytelling

  • Brand Anthems & Sizzle Reels

  • Trailer & Teaser Editing

  • Sports & Hype Editing