Stop Finishing Edits at Midnight—Install a Post‑Production Engine That Ships Without You

Fractional Post‑Creative Direction for 4–10‑person agencies drowning in revisions and missed deadlines.

Proof in Hardware + Hard Numbers

  • Illustration of a man in a tuxedo holding an awards statuette.

    Regional Emmy Winner

    Societal Concerns, Long Form (2024)

  • Gold and black number '2022' anniversary candles.

    3× Telly Gold

    Short Documentary, Branded Content, Religion/Spirituality

  • A tall stack of colorful binders and folders next to an open CD case with a CD inside.

    1,000 + Cuts Delivered

    10 years, every genre you can name

WHO THIS IS FOR

  • Founders of 4–10‑person video agencies cranking 15–25 edits/month

  • You’re still QC‑ing in Slack after 9 p.m.

  • Premiere‑based workflow, $10‑30 K/mo revenue flat‑lining because post is the choke‑point

  • You care about story & taste, hate corporate fluff, and want hours - not just tasks - back

If that’s you, keep reading. If not, go make another coffee.

Fractional Post‑Creative Director Retainer — $3,500/mo (3‑month minimum)

  • Week 1 – Performance Boot Camp

  • 15–25 edits per month

    You talk goals. I review every first draft within 24 h—no more late-night QC.

  • Founder still reviewing or fixing every cut

    Scoreboard of rounds, hits, deadlines. Up to 3 hrs hands-on if a cut goes off the rails.

  • Premiere Pro workflow

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  • Revenue $10–30 k/mo that’s stuck because post is the bottleneck

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If you checked three boxes, we should talk.

The Simple Offer

  • 1. Day-1 Setup

    3-hr workshop → new folder tree, brief template, live scorecard.

  • 2. Weekly Oversight

    15-minute call + I review every first draft within 24 hours. You never QC at night again.

  • 3. Monthly Report & Rescue

    Scorecard of revisions / deadlines. Up to 3 hours hands-on edit help if a project goes sideways.

Results You’ll Notice

  • 80% of first drafts “good enough for the client”

  • ≤ 2 revision rounds per edit

  • 15+ founder hours freed every week

Producers Who Bet Their Deadlines on Me

  • A woman with longwavy red hair, smiling, wearing a sleeveless black top and jewelry, standing with arms crossed against a gray background.

    Dina Rudick

    Owner, Director / Producer | Anthem Multimedia

    “Max is — gosh, where do I start — my secret weapon, honestly. I’ve been working with him for years and he’s about the best creative collaborator in post-production I could hope for. He brings something sparkly and amazing, and he does it astonishingly quickly. No ego. Just results. I plan my projects around including him.”

  • Smiling man wearing glasses and a plaid shirt outdoors at sunset.

    Josh Whiteman

    Senior Producer | The Christian & Missionary Alliance

    “I was hesitant to outsource something this big, but Max made it painless. He got it right from the jump, understood our goals, and elevated the work. Fast, collaborative, and emotionally spot-on. That’s why I’m planning to build out more contracts with him.”

  • A middle-aged man with gray hair and a beard, wearing a dark blazer and layered necklaces, looking directly at the camera against a gray background.

    Zosimo Maximo

    Executive Director, Senior Producer | Westfall Gold

    I've been working with Max for about a year and a half now. Multiple edits, multiple clients, and he always delivers. He's a technician. Great with narrative. I love how he uses sound effects. And he weaves music in and out of the cuts, seamlessly. That always enhance the edit. But the thing I appreciate about Max the most is that he is highly organized. I will continue working with him

30-Minute Audit Guarantee

I’ll pinpoint three concrete ways to cut your post time or costs on the call—or I send you my full “Post Pipeline SOP Pack” ($297) free.

One beta slot left. Rate locked for six months. Next cohort opens Oct 1.